As she makes her way through the Midwest, she links up with a lonely oldster radiating unsettling vibes ( Mark Rylance) and a romantic opposite in Lee (Chalamet), whose dyed mullet and ratty oversize jeans mark him as a Gen Z heartthrob despite the ’80s setting. Taylor Russell (who you may remember from Waves) is the real lead here as a fellow cannibal, on the lam after her appetite lands her in trouble with the law and drives away her father ( Andre Holland). Except this time around, Chalamet’s tormented not by the homosexuality he doesn’t yet fully understand, but by the unslakable hunger for human flesh. The first trailer for Bones & All arrived this morning, foregrounding a distinctive director reunited with his much-sought-after muse for another project that sees them both languishing in the hazy, halcyon days of summer. Though to the many fans of the latest film’s star, it’s Timothée Chalamet‘s movie and everyone else is just working on it. The new romance-cum-road-movie Bones & All represents a significant plank in the evolving oeuvre of Luca Guadagnino, both as the Italian filmmaker’s daring effort to chart the landscape of the American heartland and as a summation of his recent preoccupations - the adolescent angst of We Are Who We Are, the high Grand Guignol bloodletting of Suspiria, the tender longing of Call Me By Your Name.
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